Sci-Fi Series Faces CBS Ban Over Controversial Statements in Western-Themed Episode


The prohibition of television episodes is a rare occurrence, stemming from multifaceted motives that compel networks and censors to shield viewers from the narrative visions of show creators. This restriction often arises due to content concerns, cultural sensitivities, or political nuances, sometimes sparking contentious dialogues that diverge from the established political aspirations. A prominent instance involves the British sci-fi series, The Prisoner, which stirred disquiet among U.S. censors during the late ’60s. Notably, the episode titled “Living in Harmony” didn’t air in the United States due to its contentious nature.

Directed by David Tomblin, this episode revolves around Number Six, a non-conformist individual subjected to governmental experimentation in an abandoned Western town, enduring psychological torment while steadfastly resisting compliance with the experiment’s demands. His refusal to wield a firearm amid the backdrop of the Vietnam War era and American anti-war sentiments left networks uneasy about airing the episode. This refusal symbolized resistance against authority and military action, mirroring the sentiments of the public protesting against the war and military drafts at the time. The portrayal of Number Six as a threat, leading to his abduction, drugging, and torture by the British government, raises questions about the underlying reasons and controversies surrounding this episode for U.S. audiences.

The Prisoner” is centered around a former secret agent who, after resigning, finds himself confined within a seemingly picturesque village, which is, in reality, an enigmatic prison. Despite coercion from his captors seeking information, he staunchly attempts to escape.


Upon its U.S. debut in 1968, CBS, the American network airing the series, decided to omit one episode from broadcast due to its perceived political overtones. CBS was wary of the main character, Number Six, and his overt defiance of the British government, which was interpreted as an anti-war stance. His rejection of authority and the refusal to wield a gun, a symbol of power, echoed anti-establishment sentiments akin to the prevalent anti-war movement. This portrayal challenged traditional Western authoritative figures like sheriffs, drawing parallels with military or police leadership. The episode’s underlying message, emphasizing resistance against compliance and military action, was deemed too provocative for the American audience, especially amidst the turbulent aftermath of President Kennedy’s assassination.

The Western setting of Harmony in “The Prisoner” serves as a metaphor for a corrupted dystopian society that Number Six resists. The constructed environment, where governmental deceit and manipulation are apparent from the start, mirrors the speculation and questioning of governmental integrity, which the U.S. interpreted as anti-war sentiments.

The narrative unfolds in the saloon, where peculiarities in behavior hint at the town’s abnormality. Number Six’s intuition, despite psychological manipulation, is depicted as an anti-war statement, illustrating his ability to discern the underlying danger within the government’s motives.

The episode is lauded as a politically charged psychological thriller, blending Western aesthetics with complex themes. It explores taboo subjects of government resistance and psychological manipulation, intertwining with the portrayal of violence, albeit with an ambiguous message. The juxtaposition of The Kid’s violence against Number Six’s resistance raises questions about the necessity and consequences of violence, particularly in military contexts.

Overall, “Living in Harmony” remains a cult classic that grapples with themes of self-reliance, corruption, and the intricate ramifications of blurred realities and coercion. Its unique blend of genres continues to captivate audiences, urging contemplation on the complexities of psychological manipulation and societal resistance.