How Different Is ‘The Devil Wears Prada’ From the Original Book?


Lauren Weisberger’s novel, “The Devil Wears Prada,” has undoubtedly left an indelible mark in the realm of fashion-themed literature and cinema. This masterpiece skillfully blends glamour, wit, and an insightful portrayal of the ruthless fashion journalism domain. At its core, the narrative revolves around Andy Sachs, an aspiring writer, navigating the competitive world of Runway magazine under the formidable mentorship of Miranda Priestly, an iconic and demanding figure.

The novel’s publication propelled Andy’s journey to remarkable popularity, captivating readers globally. Weisberger’s portrayal of Andy’s trials and growth amidst the high-stakes fashion industry resonated profoundly, offering readers an engaging glimpse into the complexities of Runway’s environment.

In 2006, Aline Brosh McKenna adapted the novel into a film, featuring Anne Hathaway and Meryl Streep in prominent roles. While the film retained the essence of the book, some notable differences emerged. Primarily, the book delves deeply into Andy’s journey, offering nuanced character intricacies and a detailed exploration of their lives. In contrast, the movie emphasizes the workings of the fashion industry and its transformative impact on individuals.


The divergence between the book and the film lies in their focal points: the book’s emphasis on character depth versus the film’s exploration of the fashion world’s dynamics. Both mediums have contributed significantly to the story’s widespread acclaim and popularity. However, the specific influence attributed to each—whether the book, the movie, or their synergy—remains an intriguing question.

Ultimately, the enduring allure and cultural impact of “The Devil Wears Prada” persist, leaving audiences enchanted and sparking discussions about the interplay between literature, cinema, and the enthralling world of fashion.


How Is the Book Andy Sachs Different from the Movie?

The disparity between Andrea “Andy” Sachs’ characterization in Lauren Weisberger’s novel “The Devil Wears Prada” and its movie adaptation is striking, resulting in differing personalities and backgrounds for the protagonist. In the film, Andy, played by Anne Hathaway, is a recent Northwestern University graduate who secures the coveted assistant position to Miranda Priestly, the stern editor-in-chief of Runway magazine. Despite her disinterest in the fashion industry, she views the job as a stepping stone toward her journalism aspirations. Andy is depicted as hard-working and reserved, diligently tackling her assignments.

Conversely, the book portrays Andy as a strong-willed individual, prone to swearing and smoking, while harbouring snarky and snobbish tendencies that conflict with her disdain for those traits in others. After graduating from Brown University, she joined Miranda’s employ following a stint traveling the world. The film adaptation inadvertently altered Andy’s physical attributes, portraying her as a brunette, although she was described as a blonde in the book. Furthermore, Anne Hathaway was not the initial choice for the role, being the ninth option, with Rachel McAdams being the studio’s primary preference.

The transformation of Andy’s relationship with Nate, her boyfriend, differs notably between the book and the film. In the movie, Nate, played by Adrian Grenier, exhibits a lack of support for Andy’s job, leading to their breakup due to her increasing work commitments. However, in the book, Alex Fineman, displays greater understanding and patience toward Andy’s career, yet their relationship ultimately crumbles due to her professional obligations encroaching on personal moments.

The portrayal of Andy’s friendships also undergoes distinct variations. While the movie sidelines Andy’s friends, emphasizing their discomfort with her job, the book delves into the complex dynamics with her friends, particularly Emily Charlton. Emily is initially kind to Andy in the book but adopts a more ruthless demeanour in the film. Similarly, Lily, Andy’s best friend, faces alcoholism issues in the book, leading to a rift in their relationship, ultimately emphasizing Andy’s detachment due to work commitments.

The portrayal of Miranda Priestly, the formidable boss, diverges significantly between the book and the movie. While the movie predominantly depicts Miranda’s uncompromising demeanour, the book delves into Miranda’s past, providing a richer backstory. Born Miriam Princhek to a struggling Jewish family, Miranda strives to escape poverty, embarking on a journey into the fashion world, where she eventually renames herself and forsakes her past.

Lastly, the conclusion diverges between the book and the film. In the movie, Andy quits her job after learning about Miranda’s betrayal, reclaiming her integrity. Conversely, in the book, Andy stays in Paris despite her friend’s accident, leading her to reflect on her own choices, realise her resemblance to Miranda. The movie offers a more optimistic resolution for Andy, highlighting her career success and restored relationships, while the book centres on her introspection and personal growth without the attainment of professional aspirations.